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Video vixens are believed to be the reinforcement of these negative stereotypes placed upon black women. She explains in her article "The Exploitation Of Women Of Color In Music Videos Needs To End" how black women are deemed sexual beings due to their physical features. The topic of video vixens have created a lot of debate on the representation of Black women, such as author Faatimah Soloman’s argument that it has contributed to the hyper-sexualization of black women. Another hip hop model, Candace Smith, said in an XXL interview, "what I've seen on sets is complete degradation." The video vixens' effect on Black women And her referencing of other vixens was an act of forcing her narrative on their experience. They explained how their experience wasn’t the same as hers and how she was essentially a nobody until the book was released. Steffans is just one example of a vixen and because of this vixens such as Gloria Velez and Melyssa Ford had a problem with her book. Her book was set as the standard vixen experience by society because it was believed to confirm people's speculations about the industry. Karrine Steffans was one of a few who decided to share her personal experience as a vixen with the world. The book's publisher describes it as "part tell-all, part cautionary tale." The book went on to be a best seller in the US. In 2005, former hip hop music video model Karrine Steffans authored the book Confessions of a Video Vixen, in which she depicts the degradation of women in the world of hip hop. While some people pointed out that the women who appeared in Nelly's video voluntarily chose to participate, others insisted that male rappers continue to sexually objectify hip hop models while denying that the hip hop artists' career is, at least in part, based on the exploitation of other people. In 2004, Nelly's video for his song " Tip Drill" came under particular criticism for its depiction and sexual objectification of women. Models are depicted as sexual objects, signs of male power, and the use of derogatory language towards women such as “bitch” and “slut” by artist contributes to the narrative that women are the inferior sex. These authors believe that these depictions place male artists in positions of power which they say contribute to the representation of males as the dominant gender. Meagan Ford, Stephanie Stevenson, Kate Conrad, Travis Dixon, and Yuanyuan Zhang express concern on how video vixens are placed in subordinate and submissive roles while often depicted as sexual objects. The work of video vixens and their portrayal in music videos have drawn criticism. Teeth, who in the documentary also mentions how these women "had the curves, she had the face, and she looked like the chick that was around the way that you could get at." Social aspect This concept sold because "the males wanted to see that and the girls wanted to be that." This statement is made by music video director Dr. The women not only had to please the directors and artists as they were also meant to please the audience. The vixens were there to complete the male artist persona of having lots of money and lots of women available to them. According to Meagan Ford it is an opportunity for women to use their features and sexuality in order to create wealth. The video vixen is believed to be the modernization of the Jezebel stereotype. The term jezebel is used in reference to a hyper-sexual woman she often is someone who is depicted as sexually promiscuous and uses her body to get what she wants. The concept of the video vixen is seen to derive from the historical Jezebel stereotype that is typically placed upon black women. It wasn't until the late 1990s when the women came to the center of many videos. At this time women were used to create sex appeal in music videos while still being in the background. The video vixen is believed to have arrived around the late 80s when hip-hop was starting to take over as its own genre in the music industry. Artists and vixens have been criticized for allegedly contributing to the social degradation of black women. Many video vixens are aspiring actors, singers, dancers, or professional models. The video vixen first came around in the late 1980s when the hip-hop culture began to emerge into its own lifestyle, although was most popular in American popular culture during the 1990s and 2000s. From the 1990s to the early 2010s, the video vixen image was a staple in popular music, particularly within the genre of hip hop. Ī video vixen (also referred to as a hip hop honey or video girl ) is a female model who appears in hip hop-oriented music videos. In her early career, Minaj was often described as a video vixen. WP Google Maps achieves simplicity and cleanliness when it comes to launching maps and making them without any need for code. Use this list to skip to different map plugins. □ Click to Tweet Top WordPress Map Plugins in 2023 □ Navigate through the clutter with this list of the top options. There are hundreds of WordPress map plugins out there.but you only need one for your site. Keep reading as we highlight the pros and cons like pricing, use cases, and features. We could keep listing off important features to consider from a WordPress map plugin, but now it’s time to evaluate the best available options. FontAwesome support so that you don’t always have to upload your own icons.Options to draw your own custom shapes like rectangles or triangles or routes.Quick translation tools so that everyone can use the map plugin, regardless of what language you use or place you live.For instance, you may want to add a hamburger icon to identify restaurants on your map. Upload tools for adding your own markers and other map elements.Full interactivity, with features for clicking to get directions and viewing more information like phone numbers and store hours.Google Map translators which often pull information from places like Google or Bing Maps and adjust the styling or makes it look nicer.We like these for mapping road trips or adding images for landmarks on a map. Drawing, writing, and animation options to share information about a route or add visuals to the map.Although not everyone requires this feature, store locator functionality is one of the most common needs in a map plugin.We like to see shortcodes and widgets for sidebars, posts, and footers. Options to place your maps in other places besides pages.Mapmaking excels with rapid address search tools. It shouldn’t be required to have the exact coordinates of a place when making a map since no one knows these and it takes a while to find them online. Support for quick geographical searches using coordinates or addresses.We enjoy prebuilt geographical maps from popular countries, states, and cities. Map themes that improve the design process and ensure that no one has to start their creation from scratch.Basic and customizable map markers to label what’s on the map and add interactivity to the presentation.Responsive building blocks that make the map look presentable on all devices.Potential tools for building unique maps, like maps of malls, restaurants, body parts, or product galleries.A standard geographical map builder with visual elements and options to adjust colors, labels, and locations.So, what are those features to keep your eye on when compiling your own top contenders for map plugins? We used these feature guidelines to compile a list of the top WordPress plugins on the market, comparing them based on features, ratings, reviews, and user-interfaces. Seeing as how a simple Google search, or browsing on CodeCanyon or the WordPress depository, delivers way too many WordPress map plugin options, we put together a list of the ideal features for you to look at for when completing your own search. Features to Seek out in a WordPress Map Plugin Also, Todoist has this whole “thing” about being minimalist, but. But it is a little tough when try to add to-dos and see where they fit into your schedule (time blocking). That’s not so bad, since I do most of the scheduling in Google Calendar. It seemed like a great solution and had a ton of integrations, but it lacked in a few areas. will show up on your Mac (in Reminders, Calendar, or Bus圜al) or PC (in Outlook). Compare price, features, and reviews of the software side-by-side to make the best choice for your business.
The cookie is used to store the user consent for the cookies in the category "Analytics". This cookie is set by GDPR Cookie Consent plugin. These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly. If you ask me, the effect Frank and his team created appears to be more realistic than that of the original movie cos’ in the movie, it was obvious that glowing special effect was layered over the prop. The side panel, specifically the one to left of the fridge, is also home to a control to a secret of Frank’s Han Solo in Carbonite Refrigerator: Han grows in red – thanks to the embedded LEDs – to mimic the moment when Leia, who masquerade as a bounty hunter, turn the switch to unfreeze him at Jabba the Hut’s lair. Not only did Frank and team made a detailed replica, but they also went all out, taking care to include the side panel that lights up, albeit only on one side. How cool (pun, not intended, btw) is that? We have seen many Han Solo in Carbonite iterations, ranging from plain 2D sticker to life-size figure to coffee table, but there’s little doubt that Frank’s fridge takes the cake. Recently featured on, Frank created, wait for it… a Star Wars Han Solo in Carbonite Refrigerator. You may not know Frank, but he latest creation is definitely going to make any Star Wars fans go gaga. Special effect artist Frank Ippolito is known for his work on movies like Pirates of the Caribbean: Dead Man’s Chest, The Chronicles of Riddick, and Casanova, and he had hands in helping Adam Savage to create the amazing Admiral Ackbar cosplay for Adam’s incognito entrance at Comic-Con. Indeed, given how much work the developers have put into making everything 4K for the Legendary Edition release, even something like a simple resolution scaler would have been a welcome addition here, as this would allow those playing on 1080p, or even 1440p monitors to still get the benefit of those lovely, crisp new assets without having to hook up their PCs to a native 4K display. Heck, even console players get the option of "Favour Quality" and "Favour Frame Rate" in their settings menu, and it's a shame there isn't something similar for us for PC. It's disappointing, to say the least, and I was hoping the PC version would have something a little more comprehensive given how many effects Bioware have been talking up in the run-up to the game's release. As does Mass Effect 3 (ambient occlusion is also included, but for some reason they couldn't fit it all on one screen for the third game, which is baffling considering how few options there are in the first place). Mass Effect 2 has the same set of PC settings as Mass Effect 1. It's the same for Mass Effect 2 and 3 as well, as you can see below. Just six On / Off settings (one of which is your standard V-Sync toggle), and some basic resolution options. No quality sliders, no graphics presets, no resolution scalers. Open up the Graphics menu in the Settings tab and this is all you get for Mass Effect 1: well, what's the equivalent of an intergalactic tumbleweed? The difference is plain to see in screenshots and their before and after comparison video, but in terms of being able to fiddle around with those settings yourself in the game's PC settings menu. Bioware have taken great pains to show off all the swanky new visual enhancements coming to their remastered Mass Effect Legendary Edition tomorrow, including support for 4K resolutions, ultrawide monitors, revamped lighting, sharper textures and loads more. Originally, this was supposed to have been filmed at the Palazzo Reale in Caserta, near Naples (seen as the ‘Theed Palace of Naboo’ in Star Wars Episode I: The Phantom Menace). Spectre film location: the secret meeting at 'Palazzo Cadenza': Blenheim Palace, Woodstock, Oxfordshire | Photograph: Wikimedia / Alexanderm14įrom here, he goes on to infiltrate a high-level secret meeting in the ‘Palazzo Cadenza’. When it transpires that Bond has been acting on his own initiative, he’s summoned to London and one of those stern dressings down from the new M ( Ralph Fiennes). Unlike the Gothic gloominess surrounding death in European culture, the Day Of The Dead is a colourful event with sugar skulls, marigolds, the favorite foods and beverages left as gifts at the graves of the departed. It originated in the old Mesoamerican culture, when it was celebrated in early summer, but the coming of Europeans saw it moved to the end of October to coincide with Catholic All Souls Day celebrations. The public holiday of El Día de Muertos is celebrated throughout Mexico (especially the Central and South regions) as a time remember and pray for those who’ve died. Usually called the Zócalo, the second largest square in the world, after Moscow’s Red Square, can also be seen in Steven Soderbergh's Traffic. Amid the mayhem, Bond commandeers a getaway ’copter which has touched down among the crowds on the vast Plaza de la Constitución. The seemingly simple task triggers off – almost literally – catastrophe. The same hotel was featured in the 1989 Bond film Licence To Kill, with Timothy Dalton as 007. The skull-masked reveler (who turns out to be Bond) mingling with the crowd suddenly ducks into the flamboyant lobby of the Gran Hotel Ciudad De Mexico, Avenue 16 de Septiembre 82, making his way to the roof where he’s on a mission to take out the assassin Sciarra in a neighbouring building. Spectre kicks off with enormous confidence and a stonking teaser sequence (seemingly influenced by the legendary tracking shot which opened Orson Welles’s Touch Of Evil) set in Mexico City during spectacular El Día de Muertos (Day Of The Dead) celebrations. It’s early days so there may be minor spoilers – though I can’t imagine what hasn’t already leaked on the net.īuoyed by the enormous success of Skyfall, there seem to be more genuine locations this time around (much of the previous film’s ‘Hong Kong’ section was filmed in London). This is Latest version hack 1.11.23 of Revenge of Sultans MOD APK contains additional features and free upgrades. Revenge of Sultans is a Strategy MOD APK Published by APKMODY.IO, AN1.COM, APKMODY.COM and MODYOLO.COM Team. Android version 4.1 (Jelly Bean) and above. 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To enable Swish in Kivra for a subset of the invoices, send the Swish number in the swish_alias metadata attribute on the invoices that should be possible to pay via Swish and leave this field empty on the invoices that should not be payable via Swish. The Swish number must be one that has been registered on you as a sender in Kivra. In order to have different Swish numbers on different invoices, send the Swish number that should be used for the specific invoice in the optional swish_alias metadata attribute. Different Swish numbers on different invoices In addition, it is now possible to have different Swish numbers on different invoices, and enable Swish for only part of your invoices. The most simple use case is to have the same Swish number for all invoices. The user can see the payment in their Swish app, in their bank history and in their Kivra account. 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